Dhaakad Review - Kangana Shines, But Movie Doesn't
Dhaakad is a fantastic example of why concentrating on a few key aspects of a film is never a good idea. The one thing I was afraid of as I walked into this one was that it would be "all style, no content," and that is exactly what happened. We understand that action is appealing, but it doesn't imply you'll continue to force it down our throats.
The protagonist is on the hunt for retribution against her parents, a child trafficking ring tied to it all, and one senior cop who is assisting her in completing the job. Is there anything fresh in the movies that you haven't heard or seen before? Tetsuo Nagata's cinematography does provide us with a few stunning shot moments, but they don't add to the mystery.
Kangana Ranaut wins the physical battle but loses the cerebral one because her character is boring when she's not fighting (pun intended!). We've seen her at her finest and at her worst, but this, my friends, is putting her in the 'dangerous' category. arjun rampal and divya dutta gave it their all for no reason! If they'd done it for the appropriate picture, everything they do would have won a lot of awards. Their psycho-jodi has a lot of Harley Quinn and joker in it, but like everything else, it'll be for naught. Saswata Chatterjee continues to do good for abandoned children (Jagga Jasoos and now this), but this time it's a complete waste of time.
In Hollywood, there's an old adage that if an actor is doing well, someone will eventually give him or her enough money to create a truly terrible picture. Razneesh 'Razy' Ghai has created a film that celebrates kangana ranaut as an actress, but at the expense of a depressing narrative. This was the ideal venue for composer dhruv Ghanekar to express his passion for indo-western fusion, and he did it to the best of his abilities. Some noisy action sequences overshadow it at times.
The protagonist is on the hunt for retribution against her parents, a child trafficking ring tied to it all, and one senior cop who is assisting her in completing the job. Is there anything fresh in the movies that you haven't heard or seen before? Tetsuo Nagata's cinematography does provide us with a few stunning shot moments, but they don't add to the mystery.
Kangana Ranaut wins the physical battle but loses the cerebral one because her character is boring when she's not fighting (pun intended!). We've seen her at her finest and at her worst, but this, my friends, is putting her in the 'dangerous' category. arjun rampal and divya dutta gave it their all for no reason! If they'd done it for the appropriate picture, everything they do would have won a lot of awards. Their psycho-jodi has a lot of Harley Quinn and joker in it, but like everything else, it'll be for naught. Saswata Chatterjee continues to do good for abandoned children (Jagga Jasoos and now this), but this time it's a complete waste of time.
In Hollywood, there's an old adage that if an actor is doing well, someone will eventually give him or her enough money to create a truly terrible picture. Razneesh 'Razy' Ghai has created a film that celebrates kangana ranaut as an actress, but at the expense of a depressing narrative. This was the ideal venue for composer dhruv Ghanekar to express his passion for indo-western fusion, and he did it to the best of his abilities. Some noisy action sequences overshadow it at times.