Why these Negatives Samantha?
With each turn and twist in the second half, it becomes more compelling and fascinating. There are some nice twists that worked out effectively, starting with Madhu's flashback and ending with the connection between the murder investigation. It's an innovative idea to tell two parallel stories back and forth without revealing a connection between them until the second half. If one side falters, there is a potential that the narrative can appear shaky by the time the link is made.
The directors do a good job of maintaining the tension and balance between the two sides. On the down side, there are some obvious cinematic liberties that could have been avoided, such as a perverted security guard, a closely watched location with numerous blind spots, and a spine-chilling mafia set up with open exit doors. The pre-emotional climax's building elements are too traditional.
Most of the time, the thrill component worked, but the emotional scenes were clichéd. A few regular action blocks lead to the climax, which is clear. Yashoda is an adequate thriller overall, despite a few stereotypical sequences. Had these flaws were avoided, it would have been an Epic blockbuster in true terms.
The directors do a good job of maintaining the tension and balance between the two sides. On the down side, there are some obvious cinematic liberties that could have been avoided, such as a perverted security guard, a closely watched location with numerous blind spots, and a spine-chilling mafia set up with open exit doors. The pre-emotional climax's building elements are too traditional.
Most of the time, the thrill component worked, but the emotional scenes were clichéd. A few regular action blocks lead to the climax, which is clear. Yashoda is an adequate thriller overall, despite a few stereotypical sequences. Had these flaws were avoided, it would have been an Epic blockbuster in true terms.