Baby Telugu Movie Review - Sheds Light on Modern Day Relationships
From a slum, Vaishnavi (Vaishnavi Chaitanya) and anand (Anand Deverakonda) are high school sweethearts. Vaishnavi enrols at the college whereas anand is unable to make it and ends up working as an auto driver. Vaishnavi goes through a significant transition at the same time as she develops a strong relationship with Viraj (Viraj Ashwin). Slowly, tensions between Vaishnavi and anand begin to grow. A sudden event occurs that fundamentally alters the lives of Viraj, anand, and Vaishnavi. What took place next? How were the three affected by the incident? The story's core is in part comprised of this.
In Baby, which takes a look at contemporary relationships, filmmaker Sai Rajesh illuminates the subject by using three masterfully crafted characters who are each unique in their own way. Because of the film's strong storytelling, one would come to like all three of its main characters by the conclusion. The most noteworthy moment is the initial encounter between Viraj and Anand.
The second half of the film is really nice, with the proper amount of drama, passion, and powerful scenes. Thanks to the great conversations that appealed to the target groups, Baby became even more compelling. youth may identify with many of the scenarios, and there are plenty of whistle-worthy moments. A couple of sequences are purposefully inserted to wow the kids, and they work effectively.
The film's running time is close to three hours, making it rather long. For a better experience, the filmmakers might have cut down a few scenes, particularly in the early half. Some people might not enjoy the movie's current setting. The movie picks up steam at the pre-intermission segments after an uneventful first hour. Even if there are some enjoyable moments and conversations, they are few. The effect is somewhat diminished by the tempo. The first half occasionally leaves us with the impression that it is a little strained.
In Baby, which takes a look at contemporary relationships, filmmaker Sai Rajesh illuminates the subject by using three masterfully crafted characters who are each unique in their own way. Because of the film's strong storytelling, one would come to like all three of its main characters by the conclusion. The most noteworthy moment is the initial encounter between Viraj and Anand.
The second half of the film is really nice, with the proper amount of drama, passion, and powerful scenes. Thanks to the great conversations that appealed to the target groups, Baby became even more compelling. youth may identify with many of the scenarios, and there are plenty of whistle-worthy moments. A couple of sequences are purposefully inserted to wow the kids, and they work effectively.
The film's running time is close to three hours, making it rather long. For a better experience, the filmmakers might have cut down a few scenes, particularly in the early half. Some people might not enjoy the movie's current setting. The movie picks up steam at the pre-intermission segments after an uneventful first hour. Even if there are some enjoyable moments and conversations, they are few. The effect is somewhat diminished by the tempo. The first half occasionally leaves us with the impression that it is a little strained.
Anand Deverakonda truly astounds with his magnificent performance. Through Baby, we get to see the actor in anand, and the director has utilized all of his talents. Even though the job is a little difficult, anand excelled in it with his sincere portrayal. In this love drama, Vaishnavi chaitanya is a revelation, and the young actress's performance says volumes about her potential. Her story arc has been really well thought out. Vaishnavi also gave a decent performance in the dramatic sequences. She and anand deverakonda had a great phone scene. Viraj Ashwin receives a good part, and he plays it perfectly. Viraj excelled in this part, which was maybe his greatest to date.
As was already noted, Vijay's music is crucial to Baby and elevates the movie to a whole new level. Balreddy's cinematography is beautiful, and the pictures are pleasing to the sight. The songs in particular are artistically filmed. The editing is shoddy in the first hour, but good in the second. The quality of the products is excellent. With regard to Sai Rajesh, the writer, and director, he did a great job with Baby. While the first hour was not all that impressive, he more than makes up for it in the second half, which is an excellent combination of powerful emotional scenes and well-written language. Sai Rajesh got the finest performance out of his actors and made excellent use of the music. His conversations are fascinating and insightful. The movie's range would have been further expanded had the first half been a little faster.
Overall, Baby neatly illuminates contemporary relationships, and the finale is unexpected.
As was already noted, Vijay's music is crucial to Baby and elevates the movie to a whole new level. Balreddy's cinematography is beautiful, and the pictures are pleasing to the sight. The songs in particular are artistically filmed. The editing is shoddy in the first hour, but good in the second. The quality of the products is excellent. With regard to Sai Rajesh, the writer, and director, he did a great job with Baby. While the first hour was not all that impressive, he more than makes up for it in the second half, which is an excellent combination of powerful emotional scenes and well-written language. Sai Rajesh got the finest performance out of his actors and made excellent use of the music. His conversations are fascinating and insightful. The movie's range would have been further expanded had the first half been a little faster.
Overall, Baby neatly illuminates contemporary relationships, and the finale is unexpected.