The Biggest Problem of Guntur Kaaram
Guntur Kaaram is filmmaker trivikram Srinivas' third collaboration with Mahesh Babu. trivikram chose an intriguing narrative with the potential for passion and action, but only succeeded partially. The film begins with the tale right away, and the audience has a good notion of what's going on within a few minutes. This is when the director's work should shine. The first part is all about collecting Ramana's (Mahesh) signature. The rationale itself appears feeble, without weight in contemporary politics, even in movies.
The mother figure appears just briefly in the first half, implying that trivikram may have kept the best for the second half. What succeeds in the first half is Mahesh's free-flowing energy in dances and lines written for a star like him. Some moments are successful, making for a decent first half, despite major parts such as Sreeleela having little influence on the love track.
The main issue in the second half, or what guntur Kaaram lacks, is the son-mother bonding or vibe. It never appears on film; the fact that there isn't a single memorable scene between them demonstrates how poorly it is conveyed. ramya krishna, a significant character in the plot, arrives briefly in the second half. The supposed-to-work comedy, such as Sreeleela's instagram reel comedy, appears pallid. It's odd to find mediocre humour in a film directed by trivikram in 2024. In addition, the picture is heavily influenced by other films, potentially including the director's own work.
The mother figure appears just briefly in the first half, implying that trivikram may have kept the best for the second half. What succeeds in the first half is Mahesh's free-flowing energy in dances and lines written for a star like him. Some moments are successful, making for a decent first half, despite major parts such as Sreeleela having little influence on the love track.
The main issue in the second half, or what guntur Kaaram lacks, is the son-mother bonding or vibe. It never appears on film; the fact that there isn't a single memorable scene between them demonstrates how poorly it is conveyed. ramya krishna, a significant character in the plot, arrives briefly in the second half. The supposed-to-work comedy, such as Sreeleela's instagram reel comedy, appears pallid. It's odd to find mediocre humour in a film directed by trivikram in 2024. In addition, the picture is heavily influenced by other films, potentially including the director's own work.