Franchise Madness Ruining Indian Cinema?

G GOWTHAM
Multi-part films, which are frequently a part of a "cinematic universe," have suddenly become more popular in indian cinema. While it is admirable to split a large tale into manageable chunks through the production of many universe-based films, we are witnessing more and more films being arbitrarily split to conform to the story of a multi-part series. 

Due to the Marvel Cinematic Universe's (MCU) enormous popularity, a number of indian directors have chosen to launch their own little series. In recent times, there have been several worlds that have emerged, including the Maddock Supernatural Universe, the Prasanth varma Cinematic Universe, the YRF Spy Universe, and others.
 

Splitting a lengthy narrative, which sometimes involves extensive character introductions, narrative development, and in-depth world exploration, frequently necessitates turning a film into a franchise. Additionally, we have witnessed the enormous success and affection that well-made franchises like Baahubali and Kantara have received from fans. 

However, the issue comes when filmmakers of films with little to no plot depth and no requirement for extensive character development decide to create an enforced franchise, or enforced Cinematic Universe, as it is called. Notable examples of this include Kamal Hasan's indian 2 and the recently released Devara: Part 1 starring Jr. NTR.

Because the majority of the filmmakers' focus is on tying the story of the film into its next installment and including easter eggs for the audience, the individual films in these series frequently end up being at best average. In indian cinema, franchises should be encouraged, but independent films that stand on their own should never be compelled to participate in a "Cinematic Universe."
 
 

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