No Wonder - Anil Ravipudi Is Most Wanted
As every other hero looks at the pan-Indian market and tries his hand at it, telugu film has swiftly moved into the pan-Indian arena. Vijay devarakonda and other young people have begun to pursue the pan-Indian market. This might have led to a significant gap between telugu cinema's regional and pan-Indian productions.
Now that almost every famous hero and skilled filmmaker is aiming for the indian film industry, tollywood is in dire need of local filmmakers. People like anil ravipudi are exactly what's needed in this situation. For example, during the Sankranthi festival season, anil ravipudi produced Sankranthiki Vasthunnam, a straightforward yet powerful product. Despite clearly lacking pan-India appeal, this movie was a huge hit at the domestic box office.
Every movie is being designed with a serious eye and a big canvas to accommodate the broader audience as the pan-India bug is really starting to gain hold of Tollywood. People will also begin to yearn for clean family comedies to watch in theaters, which is precisely where a lot of void is created. In the prior case of Sankranthiki Vasthunnam, this is precisely what was noted.
The telugu audience's message is extremely clear: regardless of the data-size or worldwide appeal of the film, people are willing to watch it. In addition, family entertainment is necessary as everyone chases serious movies. Anil Ravipudi seems to have hit the nail on the head and is providing the audience with what they need. Given that many young people are interested in indian cinema and that skilled craftsmen like Anil are required for regional audiences, who would have guessed that this director would be the key to striking the correct balance in Tollywood?
Every movie is being designed with a serious eye and a big canvas to accommodate the broader audience as the pan-India bug is really starting to gain hold of Tollywood. People will also begin to yearn for clean family comedies to watch in theaters, which is precisely where a lot of void is created. In the prior case of Sankranthiki Vasthunnam, this is precisely what was noted.
The telugu audience's message is extremely clear: regardless of the data-size or worldwide appeal of the film, people are willing to watch it. In addition, family entertainment is necessary as everyone chases serious movies. Anil Ravipudi seems to have hit the nail on the head and is providing the audience with what they need. Given that many young people are interested in indian cinema and that skilled craftsmen like Anil are required for regional audiences, who would have guessed that this director would be the key to striking the correct balance in Tollywood?