Pooja Hegde Says Regional Film Ala Vaikuntapurramulo Gave Me More Recognition Than Pan-India Film Radhe Shyam
pooja hegde has openly acknowledged that her 2020 telugu blockbuster Ala Vaikuntapurramulo brought her far greater recognition than her 2022 pan-India project Radhe Shyam. Despite radhe shyam being marketed aggressively across multiple languages and starring Prabhas, one of India’s biggest stars, the film failed to leave a lasting impact at the box office. In contrast, Ala Vaikuntapurramulo, which paired her with Allu Arjun, became a cultural phenomenon in telugu cinema, winning over audiences with its music, performances, and storytelling. The success cemented her status as one of the leading actresses in the South indian film industry.
Speaking about the difference in audience reception, pooja pointed out that while radhe shyam gave her exposure to a wider market, it didn’t generate the same affection and connection that Ala Vaikuntapurramulo did. The latter’s songs, particularly “Butta Bomma,” went viral across social media platforms, further boosting her popularity and making her a household name not only in andhra pradesh and telangana but also among non-Telugu speakers who discovered the film online. She emphadata-sized that true recognition comes from a film’s emotional resonance with audiences, not just its scale of release.
Her candid comparison highlights a reality in the indian film industry — that regional blockbusters can sometimes deliver stronger career breakthroughs than heavily promoted pan-India ventures. With Ala Vaikuntapurramulo, pooja tapped into a story that connected deeply with audiences, ensuring her lasting recall value. In contrast, radhe shyam struggled with its screenplay and execution, proving that big budgets and nationwide releases don’t guarantee impact. For pooja, the experience has reinforced the importance of script selection and the power of regional cinema to shape an actor’s career trajectory.
Speaking about the difference in audience reception, pooja pointed out that while radhe shyam gave her exposure to a wider market, it didn’t generate the same affection and connection that Ala Vaikuntapurramulo did. The latter’s songs, particularly “Butta Bomma,” went viral across social media platforms, further boosting her popularity and making her a household name not only in andhra pradesh and telangana but also among non-Telugu speakers who discovered the film online. She emphadata-sized that true recognition comes from a film’s emotional resonance with audiences, not just its scale of release.
Her candid comparison highlights a reality in the indian film industry — that regional blockbusters can sometimes deliver stronger career breakthroughs than heavily promoted pan-India ventures. With Ala Vaikuntapurramulo, pooja tapped into a story that connected deeply with audiences, ensuring her lasting recall value. In contrast, radhe shyam struggled with its screenplay and execution, proving that big budgets and nationwide releases don’t guarantee impact. For pooja, the experience has reinforced the importance of script selection and the power of regional cinema to shape an actor’s career trajectory.