Game Of Loans Movie Review - A Claustrophobic Thriller That Shows How One Click Can Destroy An Entire Life

G GOWTHAM

Game of Loans – A Tight, Terrifying Psychological thriller Rooted in Today’s Online-Gambling Nightmare


Story


Game of Loans unfolds almost entirely inside a single upscale apartment — but don’t be fooled by the limited space. Writer-director Abhishek Leslie spins a slow-burn psychological trap where the walls close in, the dread piles up, and the consequences of online gambling take a sinister, unexpected turn.


Daniel (Nivas Adithan), an unemployed father drowning in online betting addiction, has pushed his finances — and his marriage — to the brink. His wife, Janet (Ester Noronha), is exhausted holding the family together.


Then the nightmare arrives.


Two credit-recovery agents (Abhinay Kinger and Athvik Jalandhar) barge into Daniel’s home, demanding repayment of his massive online-app loan. When they realize he has nothing to offer, they propose a ghastly “solution” that sends Daniel spiralling into danger, fear, and desperation.


The film uses a fictional but highly plausible scenario to ask a chilling question:
What if those gambling-related suicides we read about aren’t just impulsive tragedies — but engineered outcomes?




Performances

Every actor in this small cast makes their presence count.


Nivas Adithan


Nivas shines in a role built entirely on internal conflict. Stuck in a room, surrounded by guilt and fear, he conveys frustration, panic, and emotional collapse with impressive control. His expressions and body language alone keep the tension alive.


Abhinay Kinger


Returning after a long gap, abhinay is magnetic. Stylish, calm, menacing — his villainy works because it’s understated, not loud. He brings an unpredictable danger that elevates every frame he’s in.


Athvik Jalandhar


Athvik is a riot of shades — cruelty, humour, irritation, ego — all blended into one wonderfully slippery character. Despite limited screen time, he leaves a strong mark.


Ester Noronha


Ester makes the most of just two scenes. As the tired, disappointed wife who has run out of patience, she grounds the story emotionally. Her presence adds weight far beyond her screen time.




Technicalities


Direction – abhishek Leslie


Leslie crafts a no-frills thriller — no songs, no commercial detours, no unnecessary melodrama. Just a tight, focused narrative driven by fear, morality, and manipulation. His use of a single location is confident and inventive, giving the film its claustrophobic psychological edge.


Music – Joe Costa


Costa’s background score is the film’s heartbeat. It amplifies the suffocation, the tension, and the creeping dread that defines Daniel’s ordeal.


Cinematography – Sabari


Shooting an entire film in one apartment is a challenge, but Sabari turns the space into a dynamic battlefield of shifting moods. Clever framing and controlled lighting keep visuals from ever feeling repetitive.


Editing – D. pradeep Jenifer


Despite conversation-heavy scenes, pradeep ensures the film flows smoothly. A bit of the mid-section drags, but overall the pacing holds well.


Writing


Leslie blends real-life cases of gambling-driven suicides with a chilling “what if?” scenario. The psychological angle adds bite, though a bit more clarity near the climax could have strengthened the final impact.




Analysis


Game of Loans is gripping because it feels disturbingly believable. The film exposes:

  • how online gambling drags people into debt,

  • how instant loan apps prey on desperation,

  • and how predators exploit the vulnerable with horrifying tactics.


The thriller works best when it leans into realism and psychological warfare. The single-location setup keeps tension tight, although a crisper mid-section would have helped. The unanswered questions in the climax may leave some wanting more, but the intention is clear, the story wants the audience to think beyond the screen.




What Works


  • • Strong, committed performances from the entire small cast

  • • Abhinay Kinger’s stylish, chilling return

  • • Claustrophobic one-location execution that heightens tension

  • • Sharp writing that connects real incidents with fictional dread

  • • Joe Costa’s effective, unsettling background score

  • • No unnecessary commercial elements — focused storytelling


What Doesn’t Work


  • • Some scenes linger too long and slow the pace

  • • Climax leaves a few threads unclear

  • • Repetition in the middle could have been trimmed



Ratings: 3.5 / 5 — A compelling psychological thriller with strong performances and a socially relevant punch.


India Herald Percentage Meter: 74% - A solid, engaging survival-thriller that rises above its limited setting through smart writing and standout acting.




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