'Yennanga Sir Unga Sattam': Review - Rips the Reality!
Cast: R.S. Karthi, Rohini, soundarya Bala, Nandakumar, meera Mithun, Bhagwati Perumal; Music: Guna Balasubramaniam; Cinematography: Arun Krishna; Direction: Prabhu Jayaram. Release: sony Live.
Economic reservation is very important. In the first half, the irresponsible protagonist chases the girls, makes fun of them and then takes them off. What happens at the end is the one-line of the first half.
The basic philosophy of this film is to say that the poor in the advanced class suffer a lot, but the rich of other castes get jobs and look.
None of the romance or actions of the protagonist in this film is serious. Some of the scenes that come up about the U Tubers and the filmmakers who keep farming are a bit laughable. Otherwise, this first half shows love as the pursuit and persecution of women as a whole.
On the other hand, in one of the oldest large temples, the ordination to the priesthood took place. The Brahmin who is the chief priest there respects the law of the priesthood of all the castes of the state and hires a non-Brahmin with a sense of justice.
The film goes on to say that the poor Brahmins are being victimized by the government's reservation policy while allowing the Brahmins in the temple to make everyone priests.
Since the upper castes do not see caste differences, he no longer wants to say that economic reservation is right.
In one scene comes the verse, "It's just not sufficient to study when you are a Brahmin instead die-hard and study." This is what the director wants to say out loud.
Among those who starred in the film was R.S. Karthi, Bhagwati Perumal and Jr. Balaiah have done well.